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In order to properly understand Paul’s Second Epistle to the Corinthian Church, one must bear in mind a number of items. Chronologically, it is likely that the Second epistle was written just months after the First. An exceedingly intriguing epistle, it showcases Paul’s life and personality in a way unparalleled among his other works.
One can only imagine the rapped attention with which the Corinthian Church listened to Paul’s second letter. He divides his message into three parts after a brief introduction: he covers a myriad of points in the first, the topic of collections for the widows and orphans of Jerusalem in the second, and the presence of false Apostles in the third.
Some scholars question whether or not Paul composed this epistle as a united document, or if it is a composite of two separate epistles. Their suppositions are in response to the marked differences in tone that exists between the first nine and the last four chapters, although these arguments may not be as strong as some contemporary Biblical scholarship would have one believe.
Music: Gerard Satamian’s Chansons sans paroles op. 2 Pastorale, from the album Dry Fig Trees. www.magnatune.com
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Paul’s First Epistle to the Corinthians contains a number of key themes that a reader might overlook.
The fact that so few lay Catholics in America deliberately choose celibacy is a sign of a worldly church. Marriage was, is, and will always be a wonderful vocation, but many early lay Christians chose celibacy as an alternative to marriage, rather than simply a preparation for it. Too frequently the consecrated life is seen as a calling reserved for clergy and religious.
Paul exhorts the Corinthians not to associate with immoral men who claim to be Christian. He knows that Christians ought to judge the bad that is among their community (Cf. 5:13). American contemporary Catholicism is so far removed from Paul’s pastoral spirit that those who seek significant reforms must be excruciatingly prudent in their judgments and actions. The duty of a Christian is to be his brother’s keeper, but never a busybody.
Charismatic gifts are prevalent within Acts and First Corinthians. These gifts are always at God’s disposal and proper spiritual discernment is always a requisite. One must never forget that the greatest of gifts is love.
One must not contextually dismiss Paul’s views on women and sexuality as irrelevant to this age. He ever seeks to have men and women compliment one another properly and avoid unnecessary contesting of leadership. One must never forget Paul’s exhortation in the Epistle to the Ephesians, ”Be subject to one another out of reverence for Christ” (5:21). It is a tragedy of our age that self-assertion is the new golden rule.
Music: Moritz Moszkowski’s 4 Moments Musicaux Op. 84 – Maestoso, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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Paul’s great pastoral epistle is especially instructive for the Church in modern America.
Written to a Church often beset by infighting, immorality, and individualism, the timeless messages of forbearance, freedom from sin, and fellowship are a much-needed salve.
These final inquiries into First Corinthians revisit the issues of how bad the Corinthian Church really was, whether our time is any worse than other times in history, and the Church’s current practice on women’s veils.
Music: Moritz Moszkowski’s 4 Moments Musicaux Op. 84 – Moderato e grazioso, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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In chapter one, Paul introduces himself as an encouraging father. Chapter two shows a more corrective side, outlining the immaturity of the Corinthian community. He highlights their faults even more centrally throughout chapter three. By the end of the letter, he establishes himself as an honorable father who will ever speak honestly to his children, correcting faults when necessary.
In chapter 16, he says, ”I urge you to be subject to such men and to every fellow worker and laborer” (v. 16). He cites Stephanus, Fortunatus and Achaicus as examples of holiness and leadership within the Church.
He closes the letter with, ”I, Paul, write this greeting with my own hand. If anyone has no love for the Lord, let him be accursed. Our Lord, come! The grace of the Lord Jesus be with you. My love will be with you all in Christ Jesus. Amen” (v. 21-24). When Paul says ”If anyone has no love for the Lord, let him be accursed,” he instructs the Church not to tolerate immorality and godlessness.
Ever present throughout this letter is the mind and personality of St. Paul. The letter contains vivid and notable snapshots of the Church that hosted the great missionary-pastor for 18 months, and one can never reach the bottom of its depths. The letter’s contents compel the reader to spiritual progress as well as discipleship, service and love. It also demands the resolution of interpersonal disputes and the establishment of the highest standards of sexual morality. The role of women, spiritual gifts and the nature of the Eucharist all have profound places in this letter. Although the letter’s chapters build into a sort of crescendo of pastoral correction, Paul always writes with great and genuine love.
Music: Sergei Rachmaninoff’s 6 Moments Musicaux Op. 16 – Andantino, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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This chapter describes a wide-spread collection of funds for the Church in Jerusalem. Giving sacrificially for Christ – who gave Himself for the human race – was ever on the mind of these early Christians who always gave well beyond the 10% tithing requirement. Tithe money never paid for ecclesial luxuries, but for pressing needs like furthering effective missionary activity and sustaining widows and orphans. The offering described in this chapter is a sort of precursor to what we now know as Peter’s Pence; Paul and many young men from the various churches throughout Christendom would later carry their offerings to Jerusalem to lay them at the feet of the apostles. Paul also presents the Gentile Christians to the Lord in the Temple, an act which fulfills a prophesy from Isaiah 60 but incites a riot and leaves him imprisoned.
Paul cannot leave his post in Ephesus until Pentecost, but hopes to return to the Corinthians after passing through Macedonia (cf. v. 5-9). He urges the church to ”Be watchful, stand firm in your faith, be courageous, be strong. Let all that you do be done in love” (13-14).
Paul’s First Letter to the Corinthians is not a manual of Christian doctrine or rubrics but a personal letter to a specific church with particular predicaments.
Extremely personal, the letter is a riveting apostolic work that arises from love and compels the properly disposed reader to recollect and repent. Although one may not be privy to all the details of the particular Corinthian situation, studying this letter is always profitable. Although focused study is necessary to undermine the full weight of this letter, one’s study must never remain purely intellectual but must penetrate to one’s spirituality and daily life.
Music: Sergei Rachmaninoff’s 6 Moments Musicaux Op. 16 – Andantino,
from the album Moments Musicaux, performed by Elizabeth Wolff.
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Out study continues with the great Resurrection chapter, 1 Corinthians 15, verse 23. Christ is the Messiah whose reign must continue until he has triumphed, when eternity begins (cf. v. 23-27). The Father is the font of divinity without having any chronological or hierarchical priority over Jesus Christ. A close reading of this chapter will reveal that there was no "generic God-substance" that created Christ, but rather the one God, a personal moral being who is all-powerful and who eternally begets the Son.
Note that verse 29 does not speak to the common Mormon practice of Baptizing the Dead, and is the only reference of any such a baptismal practice in the Bible.
Paul knows that one is ruined by the bad company he keeps (v. 33), and he mentions it within this chapter for the good of the Church. He chastises them by saying "Come to your right mind and sin no more" (v. 34).
He answers a number of the Corinthians’ questions on the resurrection of the dead in verses 35-44. He writes, "Just as we have born the image of the man of dust, we shall also bear the image of the man of heaven. I tell you this, brethren: flesh and blood cannot inherit the kingdom of God, nor does the perishable inherit the imperishable" (v. 49-50). In this, he states that all who are raised to heaven will be changed, a change that occurs in the blink of an eye. He concludes the chapter by stating "Therefore, my beloved brethren, be steadfast, immovable, always abounding in the work of the Lord, knowing that in the Lord your labor is not in vain" (v. 58).
One must never forget that the goal of the Christian life is to remain with the Lord in heaven. With this perspective, one has a life-changing motivation.
Music: Sergei Rachmaninoff’s 6 Moments Musicaux Op. 16 – Andante cantabile, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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Sometimes termed "the great Resurrection chapter," 1 Corinthians 15 accounts just that and more. Certain members of the Corinthian Church, perhaps because of a Greek heritage that often disparages the flesh, take issue with Jesus’ resurrection. From the initial verse, Paul affirms that the resurrection is an essential part of the gospel.
He expresses that Christ died for our sins and rose to give us eternal life, appearing to many (v 2-6). Note that Cephas [Peter] is mentioned specifically as well as being included in those "twelve" apostles who witnessed Him (v 5). Paul uses the terms "the twelve" and "the apostles" as two separate categories (v 7). These precise groupings of witnesses serve help establish facts, adding credibility to Paul’s argument.
It was only the resurrected Christ who dramatically changed Paul from the Church’s greatest persecutor into one of its chief workers. Paul reminds them that a Christian’s resurrection will be one of both the spirit and the body, urging them to never overlook the resurrection of the body on the last day. He writes in response to those who question the resurrection of the body, "If the dead are not raised, then Christ has not been raised. Christ has not been raised, your faith is futile and you are still in your sins" (v 16-17).
Christ has trampled upon death through the resurrection and lifts believers from the dead and from sin. By thinking deeply about heaven and the resurrection of the dead, Christians remain focused on their final end throughout the battle against sin.
Music: Moritz Moszkowski’s 3 Moments Musicaux Op. 7 – Allegramente, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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Chapter 13 of the First Letter of Paul to the Corinthians begins with Paul’s address to those who speak in tongues. Unless love is the controlling virtue in one’s life, a spectacular faith, a powerful prophetic message or even the gift of tongues are of no value (cf. v. 1-3). He infers that love and the peace of Christ are to ever remain the arbiters among disputing peoples.
Characterizing love, he notes how it is "patient and kind," neither jealous or boastful; nor arrogant or rude; and never insisting on its own way (cf. v. 4-6). Further, love "does not rejoice at wrong, but rejoices in the right. Love bears all things, believes all things [without ever being wishy-washy], hopes all things, endures all things. [Divine] Love never ends" (v. 7-8). Paul knows that divine love does not come naturally to humans; rather, it is always a gift of purely supernatural grace.
He writes, "When I was a child, I spoke like a child, I thought like a child, I reasoned like a child; when I became a man, I gave up my childish ways. For now we see in a mirror dimly, but then face to face. Now I know in part; then I shall understand fully, even as I have been fully understood. So faith, hope, love abide, these three; but the greatest of these is love" (v. 10-12). Our American connotation of "love" pales in comparison to the love expressed through deeds of self-sacrifice that Paul speaks of in this chapter.
He again addresses the gifts of tongues in Chapter 14. He places the gift of prophesy as more valuable than the gift of tongues, except in instances where the tongue is interpreted, because prophesies edify the whole church (cf. v. 5). If all spiritual gifts are given for the common good, he observes that those who speak in tongues should speak in intelligible tongues and pray for their tongue’s interpretation (cf. v. 7-10). Note that the interpretation of tongues does not mean a translation, for interpretations always convey a spiritual message beyond the jots and tittles of any message. When in church, Paul would rather "speak five words with [his] mind, in order to instruct others, than ten thousand words in a tongue" (v. 19).
He heightens his tone by urging the Corinthians to maturity and wisdom (cf. v. 20). To understand the larger context of his powerful statement in verse 22, "Thus, tongues are a sign not for believers but for unbelievers, while prophecy is not for unbelievers but for believers," one must thoroughly digest Isaiah 28. He concludes the chapter by masterfully instructing his wayward church on the proper use of tongues, prophesy and silence in their worship and communal life.
Music: Moritz Moszkowski’s 4 Moments Musicaux Op. 84 – Animato ma non troppo, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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Paul addresses spiritual gifts in the twelfth chapter of First Corinthians. He knows the Church does not realize their low level of spiritual maturity; but their arrogant, impatient and factious ways indict them. So misguided is this Church that they act against the teachings of both Paul and the Council of Jerusalem. This chapter showcases him again pleading with the people like they are close family members.
He knows that the Corinthians have a good foundation of catechesis, but that many are either practicing dead-letter religion or are misappropriating their gifts. He addresses this by reiterating that all who are of Christ receive spiritual gifts and they must be exercised for the common good. A variety of gifts among individuals in a community provide the essential elements of Christian life. He lists numerous gifts, but "all […] are inspired by one and the same Spirit, who appropriations to each one individually as he wills. For just as the body is one and has many members, and all the members of the body, though many, are one body, so it is with Christ" (v 11-12). Paul’s language makes one question whether this factious Church was marginalizing individuals who had particular spiritual gifts as less important than those with other gifts. He stresses the equality of the people of God, for "the parts of the body which seem to be weaker are indispensable" (v. 22). Because the members of the Corinthian Church are one body, Paul chastises them for their disunity and urges them to love one another.
A loving, family life is so characteristic of genuine Christian life, as expressed in the thirteenth chapter. Sadly, this type of love is so uncharacteristic of modern Catholicism in America. Paul exhorts the Corinthian Church to this love and what love is and what it is not (cf. v. 4-8). He also makes it clear that they must all love more genuinely.
Music: Moritz Moszkowski’s 3 Moments Musicaux Op. 7 – Tranquillo e semplice, from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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The character of Paul’s language changes distinctly in Chapter 9 of 1 Corinthians as he attempts to reassert his role as an apostle. Some among the brethren of Corinth felt apostles would not need to work to support themselves, and viewed his working to support his ministry as a demerit on his authority. He responds by saying "I [am an apostle] to you; for you are the seal of my apostleship in the Lord" (v 2). He continues by asserting the rights of an apostle through a series of rhetorical questions.
Using sound rabbinical arguments, he asserts that God allows the workers to partake of the fruit of their labor (Cf. v. 8-12). These statements are not Paul’s attempt to amass material gains, but assert his authority as an apostle. As he continues, his temper begins to reveal itself in the verbiage (Cf. v 14). He hits on the cornerstone of his argument when he states "Woe to me if I do not preach the gospel!" and "What then is my reward? Just this: that in my preaching I may make the gospel free of charge, not making full use of my right in the gospel" (v 16, 18). Always trying to save as many souls as possible he reflects how he "became all things to all men, that I might by all means save some" (v 23). He closes the chapter with a lively exhortation that the Corinthians strive for holiness through self-restraint and exertion like an athlete strives for victory (Cf. v 24-27).
Returning to his previous language-style in Chapter 10, he uses the example of their Jewish forefathers to instruct the troubled church. After illustrating the sacramental gifts that the Israelites received from God he warns the people not to partake unworthily or without gratitude, lest they die like many of the Israelites. He ever attempting to bring the conceited Corinthians to greater holiness, he provides hope against temptation by stating "God is faithful and he will not let you be tempted beyond your strength, but with the temptation will also provide the way of escape, that you may be able to endure it" (v 13).
Returning to his railing against idolatry, he asks "The cup of blessing which we bless, is it not a participation in the blood of Christ?" so that he may come to his eucharistic theology "The bread which we break, is it not a participation in the body of Christ? Because there is one bread, we who are many are one body, for we all partake of the one bread" (v 16). This is to establish that one cannot drink the cup of the Lord and the cup of demons, and that meat sacrificed to idols is inherently demonic.
He instructs the Judaizers by saying "All things are lawful, but not all things are helpful" (v 23). He also allows that "if one of the unbelievers invites you to dinner and you are disposed to go, eat whatever is set before you without raising any question" except it becomes clear that this meat was sacrificed to an idol (v 27).
Finally, in the beginning of Chapter 11, Paul addresses the issue of women’s head coverings.
Music: Sergei Rachmaninoff’s 6 Moments Musicaux Op. 16 – Adagio sostenuto from the album Moments Musicaux, performed by Elizabeth Wolff. www.magnatune.com
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